Treasures from the Archive: Ms Olympia Memories: Part I The Magazine Years

imagebam.com

Can’t say I remember too clearly what it was like having to follow the Ms Olympia a month (or two) after it had actually happened through the pages of Muscle & Fitness, Flex, Ironman and so on, but whenever I come across an image of Cory Everson with a big medal around her neck, flanked by one or both of the Weiders and/or one or both of the women who made up the top three that year, her arms held aloft, it invariably seems familiar, and takes me back to those early magazine years.

imagebam.com imagebam.com

Then, as far as my teenage female muscle obsessive self was concerned anyway, the result was a given. The Ms Olympia was not so much a contest as the annual coronation of the most physically perfect woman in the world. And clearly that was Cory.

imagebam.com imagebam.com

In those days you were never exactly starved of images of her to drool over (especially in Weider publications), but for me it was the pics of Cory on stage that were always the most drool-worthy, so the Olympia editions were prized possessions. The tan, the oil, the striations, the muscles, and, I particularly remember, the bikini bottoms so tight that I was forced to spend hours, possibly days, of my life just looking (slightly puzzled at that tender age) at whatever was making that shape between her legs!

imagebam.com imagebam.com

But, of course, there were other women, and in those very early days Anja Langer was, I reckoned, probably the second most physically perfect woman in the world… The judges didn’t see it my way (not for the last time) in 1987 (left, below) when she finished 4th, but in 1988 (right) Anja was runner-up to (of course!) Cory Everson.

imagebam.com imagebam.com

These days, I’m convinced that the reason I’ve found myself reacting so positively to the Physique division (much more positively than I’d expected to when it was first announced) is largely because the aesthetic is so reminiscent of Anja’s and the other female bodybuilders’ at the time I first discovered my love of female muscle. Over 25 years later, it seems I’m still programmed to respond to this “classical” aesthetic.

And staying in those early years (but not in the sense that it was an image I saw in a magazine), a screencap of Gladys Portugues during her routine at the 1986 Ms Olympia. It was intended for posting earlier in the year when FMS explored The Agony & the Ecstasy experienced by female bodybuilders when prepping and competing.

imagebam.com

Now I’ve seen women (and men) looking this deliriously happy before, but they tended to be in sweaty clubs set up in old railway arches in the late 1990s and all of them had ingested a substance whose effects gave it its name. I doubt Gladys had had any of that, nor that she looked so ecstatic because Jean-Claude had promised to buy her a dog. This is what pure, unadulterated, Olympian female muscle ecstasy looks like!

imagebam.com imagebam.com

We return to my formative female muscle lovin’ years with three of the most “exotic” (to a teenage boy in a London suburb anyway!) and, therefore, most exciting women I had the pleasure of seeing inside the covers of the magazines containing Olympia reports. Future Ms Olympia Juliette Bergmann (above left) seemed, I recall, almost impossibly beautiful, and was probably responsible for my eagerness to visit Holland – much more so than the more conventional attractions for a young man. Marie-Laure Mahabir (above right) seemed to be from a different planet altogether.

imagebam.com

The months when pictures from the Olympia appeared in the magazines tended to be the only ones featuring European-based FBBs like Marie-Laure, and I guess because I had seen so few images of them it made them all the more exciting – they were more memorable because they were so rare. Their placing at the show was utterly irrelevant to me, though perhaps it did cross my mind how such a magnificently sensual creature like Claudia Profanter could possibly finish 14th (as she did in ’91).

imagebam.com imagebam.com imagebam.com

But while it may have been an advantage to be European to get Swell’s attention (or maybe that should be to bring Swell to attention), it was by no means necessary. As my teenage years drew to a close, Denise Rutkowski‘s feline power and unforgettable gold bikini proved an irresistible combination. And, for the first time in my life, I was, actually, trying to resist the lure of female muscle in order to appear all normal and stuff as I left school and moved away to university.

[Incidentally, if you are the sort who likes to know how the FBBs of your youth are looking now I am honour-bound to warn you that YOU SHOULD NOT TRY TO FIND OUT WHAT DENISE RUTKOWSKI LOOKS LIKE NOW. I had the misfortune to see, and it is haunting me. Really. Trust me. DON’T.]

imagebam.com imagebam.com

And though I regularly fell off the wagon, discovering the likes of Denise, Yolanda Hughes and Natalia Murnikoviene (above, left and right respectively) when I did, I think of that first effort at repressing my desire to view images of female bodybuilders as the end of “The Magazine Years”. By the time I re-embraced my sthenolagnia in the late ’90s, I didn’t need to rely on the mainstream muscle magazines for my fix – there was Women’s Physique World and, a bit later, Muscle Elegance. It’s rather ironic (and quite fitting) then that I couldn’t actually find a magazine scan of Yolanda at the Olympia from a muscle magazine, and instead had to use a WPW pic.

Oh, look! It’s Cory winning again…

imagebam.com

And I leave you for today with Denise Rutkowski as I would like to remember her, performing her (I think it’s fair to say) LEGENDARY routine from 1993. She finished second, and by all accounts that I know of, should have won.

On this evidence, it’s easy to see why people would have thought so.

(If you’ve already got the box of tissues in in preparation for the excitement of this Friday’s 2014 meat-fest, now might be a good time to crack them open…)

Enjoy!

More Ms O memories coming soon…

Forza e Bellezza: Due Artiste

One of the many indicators that attitudes to female bodybuilding and female bodybuilders are ‘wrong’ among most of the (male-dominated) federations has, in my opinion, been the demise of the routine. Once upon a time, they were so much more than just a race to get through as many poses as possible before the music was cut and the next competitor ushered onto (and then just as quickly off) the stage.

Now a minute long if you’re lucky, competitors were once upon a time given a full three minutes each. Women like Diana Dennis, rarely hitting a traditional pose in the course of her routine, made them into performances, with all the artistic connotations of that word, and they were often set to more than one piece of music. There are still some true artists out there, but with so little time given to them in competition, they can only find the time and space to truly express themselves as guest posers.

It’s a shame that this aspect of the female bodybuilding show has declined in importance so much. Competitors muscularity and proportions have already been judged by the time the evening show comes around. What’s the point of a routine if it’s just a quick run through the same poses we’ve already seen in previous rounds? And furthermore, if these federations are, as they claim to be, so concerned about competitors’ femininity, why are they deliberately downsizing the one part of the contest where feminine expression was most possible?

So, as my little reminder of what once was, and what could be again, today, FMS presents two of our favourite proponents of the long-lost art of the contest routine.

Two Italians. Two Claudias. Two artists.

Claudia Profanter

Also known as…
imagebam.com imagebam.com
Claudia’s alter-egos, Claudia Perfonter and Claudia Profonter

Claudia was a two-time WABBA world champ by the time she first competed at the Miss Olympia in 1989, finishing 11th. Long before I ever saw Claudia in motion her eyes, lips and muscles had made a big impression on my teenage self. She was Italian, after all, and that, as far as I was concerned, definitely made her count as an ‘exotic’ beauty.

imagebam.com imagebam.com
imagebam.com
Claudia’s European and World Champion physique

Many years later, long after Claudia’s final competition in 1991, I finally saw one of her routines. And she was glorious! What impressed me about her then, and still does now, is that as a direct result of the time there once was for each routine, Claudia can take her time (if only contestants had that luxury now, we might see it more often) and Claudia really does take her time. Consequently, each pose becomes an event in itself. Each pose has a beginning, a middle and an end.

imagebam.com

See what you think with two of Claudia’s Miss O routines.

Firstly, 1990, where despite a small wardrobe malfunction, Claudia delivers a stunning routine. There’s also the added bonus (especially for fans of the deeper female voice and/or Italian accents) of a little of Claudia speaking English afterwards. But I urge you to keep watching to the very end as the crowd make their disapproval of the judges’ decision known when she is announced in 9th place.

Claudia was bigger (and darker) in 1991, and her routine was, I think, even better than the year before. This wasn’t good enough to improve her position by much, though, and she finished 8th. We don’t have the announcement of the placings in this clip, but there’s further evidence of her popular appeal nonetheless. Keep watching to the end of the routine to hear what this crowd thought of Claudia and her routine.

If you’re still hungry for Claudia, other routines can be found  here and here 

Claudia Montemaggi

Q: What happens when a stunningly beautiful woman from Italy with a background in ballet and gymnastics becomes a bodybuilder?

A: Claudia Montemaggi.

imagebam.com imagebam.com

While Claudia Profanter was making her last appearance at the Olympia in 1991, the second of our two Claudias was making her Olympia debut. Claudia Montemaggi had won the European Amateur Championships the year before, and had top three finishes at the World Championships and World Games behind her as well.

imagebam.com imagebam.com

Her routines are among the most memorable you will ever see. She’s everything a female bodybuilder can be (and everything a bodybuilding federation could want a female bodybuilder to be). She’s certainly muscular, but there’s nothing masculine about her. She’s graceful, athletic, powerful, charismatic and sexy.

Firstly, Claudia at the 1989 World Games. Eurosport’s Simon Reid notes at the end of her performance that ‘you can certainly hear who the crowd’s favourite is’, but during her routine, both Simon and his co-commentator have left you in no doubt she’s their favourite too. She’s described as ‘very very elegant’, and as being ‘in her own class’ before the routine has barely got under way. By the time she’s in full flow, the audience cheering her every move, she’s made Simon wonder about the judging criteria, asking his colleague ‘Does sex appeal have anything to do with it?’

Three years later, here’s Claudia at her second and last Olympia. And apparently she’s lost none of her power to win over the crowd or make a commentator a little hot under the collar while watching her. The man with the mic on this occasion becomes so obviously turned-on by Claudia that his female colleague eventually feels she just has to remind him: ‘Jim! You’re married!’

And for a little more of that Claudia M appeal,  go here

And if by now you’re not convinced that female bodybuilders should be given more time for their routines again, that this could be one way of making the sport more attractive to the public…

If you’re not convinced that at their best these routines are neither solely dance, gymnastics nor merely a collection of bodybuilding poses but a combination of all of these things, a performance style truly unique to the sport of female bodybuilding…

If you’re not convinced by the two Claudias, the two Italian artists, at their peak…

Well… then you probably run a bodybuilding federation.

More from Italy tomorrow. Buon divertimento!